https://www.sendspace.com/file/z6djmg
EN ESTE SITIO PODES ENCONTRAR MUCHOS, MUCHOS, PERO MUCHOS MUSICALES, EN TODOS LOS IDIOMAS, CON SUS LETRAS Y VERSIONES KARAOKE COMO TAMBIEN CDS DE LOS ARTISTAS DE LOS SHOWS. PARA MAS INFORMACIÓN, LEE LA PRIMERA ENTRADA DEL BLOG. SEÑORAS Y SEÑORES, SEAN TODOS...¡¡BIENVENIDOS!! For more info see the first entry in April 2009.
Mostrando entradas con la etiqueta Book. Mostrar todas las entradas
Mostrando entradas con la etiqueta Book. Mostrar todas las entradas
domingo, 11 de febrero de 2024
BOOK: SINGULAR SENSATION (AUDIOBOOK)
SINGULAR SENSATION (AUDIOBOOK)
https://www.sendspace.com/file/z6djmg
https://www.sendspace.com/file/z6djmg
Written by: Michael Riedel
Narrated by: Shaun Taylor-Corbett
Length: 9 hrs and 43 mins
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater.
The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini's opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner's Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater.
And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city.
Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
martes, 1 de marzo de 2022
BOOK: KRISTIN CHENOWETH "A LITTLE BIT WICKED" (AUDIOBOOK)
KRISTIN CHENOWETH "A LITTLE BIT WICKED" (AUDIOBOOK)
https://mega.nz/file/WdMzBKbB#CBj20rZJ9iL6yKwc2d6hTdUmz3dpi2k8_rQ1V1AQ4EI
https://mega.nz/file/WdMzBKbB#CBj20rZJ9iL6yKwc2d6hTdUmz3dpi2k8_rQ1V1AQ4EI
domingo, 17 de octubre de 2021
FINISHING THE HAT
FINISHING THE HAT
http://www.mediafire.com/download/1kbdxn5tzlqmf2p/FINISH+THAT+BOOK.rar
http://www.mediafire.com/download/1kbdxn5tzlqmf2p/FINISH+THAT+BOOK.rar
or
Finishing the Hat (Book of the Week)
Broadcast on BBC Radio 4
Monday 20 to Christmas Eve Friday 24 December 2010 09:45-10:00
To mark his 80th birthday, musical theatre legend Stephen Sondheim appraises his long career and dissects his own lyrics from West Side Story to Sweeney Todd.
In Finishing The Hat – a title borrowed from one of his most autobiographical songs – Sondheim provides a forensic account of the lyric-writing process. Stephen discusses the lyrics for several of his major musicals from 1954 to 1981, including West Side Story, Gypsy, Company, A Little Night Music and Sweeney Todd. He offers an illuminating insight into the lyric-writer's art, as well as a number of warm and witty anecdotes about the remarkable figures with whom he has worked.
Stephen also discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with talents such as Leonard Bernstein, Arthur Laurents, Jule Styne, Ethel Merman and Harold Prince.
Penetrating and self-deprecating, thoughtful and witty, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is also a window on musical theatre history since the 1950s.
Part 1 - We hear how his mentor, Oscar Hammerstein, influenced the early career of the budding composer and lyricist, and how he came to collaborate with Leonard Bernstein on West Side Story.
Part 2 - Sondheim recounts his experience of writing the lyrics for Gypsy - and of working with the indomitable Ethel Merman.
Part 3 - He discusses his first outing on Broadway with his own music - A Funny Thing Happened on the Way to the Forum - and the critical importance of getting the opening number just right.
Part 4 - Sondheim looks back on the development of A Little Night Music.
Part 5 - He talks about the inspiration behind the music and lyrics of his 'love song to London' - Sweeney Todd: The Demon Barber of Fleet Street.
Additional readings are by Juliet Stevenson.
Reader/Stephen Sondheim, Producer/Emma Harding for the BBC
Broadcast on BBC Radio 4
Monday 20 to Christmas Eve Friday 24 December 2010 09:45-10:00
To mark his 80th birthday, musical theatre legend Stephen Sondheim appraises his long career and dissects his own lyrics from West Side Story to Sweeney Todd.
In Finishing The Hat – a title borrowed from one of his most autobiographical songs – Sondheim provides a forensic account of the lyric-writing process. Stephen discusses the lyrics for several of his major musicals from 1954 to 1981, including West Side Story, Gypsy, Company, A Little Night Music and Sweeney Todd. He offers an illuminating insight into the lyric-writer's art, as well as a number of warm and witty anecdotes about the remarkable figures with whom he has worked.
Stephen also discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with talents such as Leonard Bernstein, Arthur Laurents, Jule Styne, Ethel Merman and Harold Prince.
Penetrating and self-deprecating, thoughtful and witty, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is also a window on musical theatre history since the 1950s.
Part 1 - We hear how his mentor, Oscar Hammerstein, influenced the early career of the budding composer and lyricist, and how he came to collaborate with Leonard Bernstein on West Side Story.
Part 2 - Sondheim recounts his experience of writing the lyrics for Gypsy - and of working with the indomitable Ethel Merman.
Part 3 - He discusses his first outing on Broadway with his own music - A Funny Thing Happened on the Way to the Forum - and the critical importance of getting the opening number just right.
Part 4 - Sondheim looks back on the development of A Little Night Music.
Part 5 - He talks about the inspiration behind the music and lyrics of his 'love song to London' - Sweeney Todd: The Demon Barber of Fleet Street.
Additional readings are by Juliet Stevenson.
Reader/Stephen Sondheim, Producer/Emma Harding for the BBC
sábado, 28 de agosto de 2021
BOOK: STEPHEN SONDHEIM AND THE REINVENTION OF THE AMERICAN MUSICAL
STEPHEN SONDHEIM AND THE REINVENTION OF THE AMERICAN MUSICAL (by Robert L. McLaughlin)
https://www.sendspace.com/file/3o7o3g
lunes, 10 de mayo de 2021
BOOKS: BROADWAY BABIES by Ethan Mordden
BROADWAY BABIES by Ethan Mordden
Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally, Oh Kay!, Anything Goes, Show Boat, Oklahoma!, Follies, Chicago, and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was. The volume includes an extensive discography-the first of its kind-which offers a virtually self-contained history of recorded show music.
Thank you very much, TIA ANTONIA!!!
https://www.sendspace.com/file/gm9o3l
Thank you very much, TIA ANTONIA!!!
BOOKS: BROADWAY YEARBOOK 2001-2002
BOOKS: BROADWAY YEARBOOK 2000-2001
BOOKS: BROADWAY YEARBOOK 1999-2000
miércoles, 14 de abril de 2021
domingo, 11 de abril de 2021
lunes, 25 de enero de 2021
BOOK: GERARD ALESSANDRINI "FORBIDDEN BROADWAY BEHIND THE MYLAR CURTAIN" (EPUB)
GERARD ALESSANDRINI "FORBIDDEN BROADWAY BEHIND THE MYLAR CURTAIN" (EPUB)
https://www.sendspace.com/file/osiroo
lunes, 16 de septiembre de 2019
BOOK: THE PROM (BY SAUNDRA MITCHELL)
THE PROM (BOOK BY SAUNDRA MITCHELL)
https://www.sendspace.com/file/jbrhqt
https://www.sendspace.com/file/jbrhqt
Muchísimas Gracias por este Regalo, MIGUEL ANGEL!!!
jueves, 19 de abril de 2018
BOOKS: THE GOLDEN AGE OF AMERICAN MUSICAL THEATRE
THE GOLDEN AGE OF AMERICAN MUSICAL THEATRE
https://www.sendspace.com/file/1aekq7
The Golden Age of American Musical Theatre: 1943-1965 provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever.
Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
After an introduction and an overview of the history of Broadway, Naden offers a chronological timeline of the Golden Age musicals in America. She then presents details, in succeeding chapters, about the shows, the stars (on and off stage), the theatres, and the awards, beginning with an alphabetical listing of shows. Each show entry supplies the title, opening date, theatre, number of performances, primary cast and crew, and a plot synopsis, as well as other interesting data about the show, such as the awards won. Additional details about well-known actors, singers, composers, lyricists, directors, and choreographers of the period are provided, including birth and death dates, birth cities, born names, a brief biography, and award nominations and wins. Finishing with a bibliography and an index, this book is beneficial to anyone wanting to know more about one of the richest periods in Broadway history.
Thanks a lot, MIGUEL ANGEL!!!
https://www.sendspace.com/file/1aekq7
Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
After an introduction and an overview of the history of Broadway, Naden offers a chronological timeline of the Golden Age musicals in America. She then presents details, in succeeding chapters, about the shows, the stars (on and off stage), the theatres, and the awards, beginning with an alphabetical listing of shows. Each show entry supplies the title, opening date, theatre, number of performances, primary cast and crew, and a plot synopsis, as well as other interesting data about the show, such as the awards won. Additional details about well-known actors, singers, composers, lyricists, directors, and choreographers of the period are provided, including birth and death dates, birth cities, born names, a brief biography, and award nominations and wins. Finishing with a bibliography and an index, this book is beneficial to anyone wanting to know more about one of the richest periods in Broadway history.
Thanks a lot, MIGUEL ANGEL!!!
BOOKS: ENCHANTED EVENINGS
ENCHANTED EVENINGS
https://www.sendspace.com/file/7gfue6
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals.
Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess).
Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history.
"A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide."
—Steven Bach, The Los Angeles Times Book Review
Muchísimas Gracias MIGUEL ANGEL!!!
https://www.sendspace.com/file/7gfue6
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals.
Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess).
Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history.
"A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide."
—Steven Bach, The Los Angeles Times Book Review
Muchísimas Gracias MIGUEL ANGEL!!!
BOOKS: DIRECTORS AND THE NEW MUSICAL DRAMA
DIRECTORS AND THE NEW MUSICAL DRAMA
by Miranda Lundskaer-Nielsen
https://www.sendspace.com/file/flg3tl
Muchas Gracias MIGUEL ANGEL!!!
by Miranda Lundskaer-Nielsen
https://www.sendspace.com/file/flg3tl
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